THE HIDDEN THIRD: Trapped Between Absence and Presence

The National Gallery of the Republic of North Macedonia, in collaboration with the Art Project Space gallery, presents an international group exhibition featuring women artists from Macedonia, Greece, Serbia, and Cyprus, titled The Hidden Third: Somewhere Between Presence and Absence. The exhibition will first open at the Art Project Space gallery on Tuesday, May 13, from 19:00 to 22:00, and will run until June 6, 2025. In October, the exhibition will be presented to the […]

“Human Figure” by Sejdi Kaplanaj – expressing human diversity through painting

We inform you that on April 3, 2025, at 19:00, the exhibition of Sejdi Kaplanaj, titled “Human Figure,” will be opened at the Chifte Hamam Gallery. Sejdi Kaplanaj is a visual artist from Kosovo (born in 1956). He graduated and obtained a master’s degree in painting from the Faculty of Arts in Pristina under the mentorship of Musli Muliqi. He is a representative of abstract expressionism from the 1980s to the present. His latest series […]

Exhibition „Vangel Kodjoman – 120 years since birth“ in Daut Pasha Hammam

The National Gallery invites you to an exhibition dedicated to the doyen of contemporary Macedonian painting, Vangel Kodjoman, which will be held in the Daut Pasha Hammam facility on the occasion of the 120th anniversary of his birth. It will be a great honor and pleasure for us to remember together his life and work, his portraits and landscapes, the colors and light of his native land. Vangel Kodjoman, 120 years since birth Daut Pasha […]

Emil Shulajkovski “Shadows in the Clouds” as a dialogue of contrasts

Reflecting on Emil Shulajkovski’s latest exhibition titled “Shadows in the Clouds” (2024), which in a certain way commemorates the author’s three decades of work, one cannot ignore the impression according to which he bases and defines his characteristic artistic manuscript through color as a basic painting postulate. As one of the basic characteristics of Emil Shulajkovski’s art, we can start by distinguishing the consistency of the constant, which implies the visualization of experiences through expressionistic […]

The necessity of starting a national cultural institution was generated in the first postwar years from the efforts to complement all the things that the Macedonian nation, due to the historical circumstances, was not able to accomplish in the past.

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